“Zombie” From Hansa Studios: A Haunting Rebellion Captured on Film — Tickets to YUNGBLUD’s Bold New Movie Now On Sale
In the historic echo-chambers of Berlin’s Hansa Studios — where legends like David Bowie and U2 once etched music into history — a new generation voice has arrived to tell a very different story. “Zombie”, the debut cinematic vision by alt-rock provocateur YUNGBLUD, is not just a film; it’s a movement. A guttural scream. A youth-fueled rebellion that pulses with the beat of emotional truth, and it’s finally making its way to the screen. Tickets are officially on sale now, and the countdown to one of the year’s most anticipated experimental rock films has begun.
A Film Born in Chaos, Sculpted in Sound
“Zombie” is not your typical movie. It’s a genre-defying blend of visual narrative, punk rock opera, and psychological horror — all threaded together with the raw sincerity and fury that has defined YUNGBLUD’s meteoric rise. Filmed within the famously haunted walls of Berlin’s Hansa Studios, the location’s aura of creative rebellion is deeply embedded in every frame. The building itself becomes a character — creaking, watching, remembering — as YUNGBLUD confronts the personal ghosts of fame, trauma, youth, and identity.
Known offstage as Dominic Harrison, YUNGBLUD has always channeled generational angst with an unmatched intensity. But with “Zombie”, he takes his vision to unprecedented depths, blurring the line between autobiography and performance art. The film was directed in collaboration with visionary indie director Georgia Hudson, whose past work with artists like Florence + The Machine and MØ gave her the ideal instincts to help craft YUNGBLUD’s immersive nightmare.
The Story: Death, Fame, and the Fight to Stay Human
“Zombie” tells the story of a rockstar unraveling — not in the tabloids, but within his own mind. The plot follows Dom, a haunted performer who wakes up in the same grimy Berlin hotel room every day with no memory of the night before. As he pieces together cryptic clues — a bloodstained mirror, a voicemail from his mother, flickering images of a younger self — he realizes he’s trapped in a psychological loop. Each time he tries to break free, he’s met by an army of masked figures, resembling zombified fans, critics, and childhood demons.
It’s a chilling metaphor for the modern fame machine. With biting commentary on digital surveillance, parasocial relationships, and mental health crises in Gen Z, “Zombie” channels the stylized horror of Fight Club and Donnie Darko through the lens of TikTok-era burnout. The result is an experience that’s visceral, hallucinatory, and impossible to look away from.
Soundtrack That Bleeds Emotion
Of course, it wouldn’t be YUNGBLUD without the music. The original soundtrack — composed and performed entirely by the artist himself — fuses punk, grunge, industrial, and trap-metal into a sonic palette that mirrors the film’s emotional chaos. Early teasers feature snippets of unreleased tracks like “Eat Me Alive”, “Panic Channel”, and “God Save the Freaks”, each underscoring the story’s most harrowing moments with gut-punch precision.
Recording the music live at Hansa wasn’t just an aesthetic choice — it was spiritual. “There’s something about this place,” YUNGBLUD said in a recent interview. “Bowie exorcised his demons here. I wanted to do the same. I wanted to let the walls swallow me, scream until they echoed.”
Tickets On Sale Now — Limited Screenings Worldwide
“Zombie” is set for a limited international theatrical release, with screenings planned across major cities including London, Berlin, Los Angeles, Tokyo, and Sydney. Some showings will include Q&A sessions with YUNGBLUD himself, as well as interactive installations inspired by the film’s world. Fans who preorder tickets will also receive exclusive access to the companion art zine and a downloadable remix EP.
Tickets are moving fast, especially among the artist’s rabid global fanbase, affectionately known as the “Black Hearts Club.” Given the film’s limited release nature and YUNGBLUD’s cult status, early access is essential for those looking to be among the first to experience this raw artistic plunge into the darkness.
What Critics Are Saying
Though the film has only been screened for select critics and insiders, early reviews are hailing Zombie as “a punk rock fever dream” (NME), “emotionally unrelenting” (The Guardian), and “one of the most daring musician-led films in decades” (Rolling Stone). It’s being compared to works like Pink Floyd’s The Wall, but with a Gen Z twist — unfiltered, angry, vulnerable, and unafraid to bleed.
Not Just a Movie — A Cultural Statement
For YUNGBLUD, “Zombie” isn’t about chasing awards or box office numbers. It’s about connection. “I made this film for every kid who ever felt like a freak,” he said. “For the ones who feel invisible, or like they’re living someone else’s life. I want them to know — I see you. You’re not alone. You’re not crazy. You’re just awake.”
As the film’s trailer ends — Dom standing in a rainstorm, face cracked in a mix of terror and revelation — one thing becomes clear: Zombie is more than a movie. It’s a mirror. A battle cry. A testament to the power of art to dissect the mind, purge the soul, and piece us back together.
TICKETS TO “ZOMBIE” BY YUNGBLUD — ON SALE NOW
Book your seat at officialyungbludfilm.com and be part of the reckoning.
Limited screenings. One night only in most cities.
This time, the monster wears your face.
